Lesbian Artist’s Painting of Islamic Homosexuals as Partners of Adam and Eve in the Paradise Is Put at the Altar of the Lutheran Church of Sweden
By
Julio
Severo
When
Renaissance painter Lucas Cranach the Elder, a close friend of Martin Luther,
painted about paradise, he thought only on God, Adam and Eve. But now, Swedish lesbian
artist Elisabeth Ohlson Wallin thinks that it is unfair to keep homosexuals out
from such paradise.
The lesbian artist created a
painting, titled “Paradise,” where she gave Adam a dark-skinned homosexual
partner, a subtle reference that Swedish men, who are light-skinned, should
embrace the hordes of Islamic Africans invading Sweden. And she gave Eve a
dark-skinned lesbian partner, a subtle reference that Swedish women, who are
light-skinned, should embrace the hordes of Islamic Africans invading Sweden.
The
lesbian artist killed two birds with one stone. If you criticize the African
homosexual partners of the Swedish Adam and Eve, you are legally liable to be
accused of discrimination based on sexual orientation and race at the same time.
I
do not know what African Muslims think about being portrayed as homosexual partners
of ethnic Swedish. But they have had no concern about being accused of anything
in Sweden, especially because they are champions of rapes against Swedish girls
and women. In contrast, Swedish are horrified to pinpoint Muslims as rapists
for fear of being accused of racist, because the massive wave of Islamic
rapists happens to be dark-skinned African Muslims.
The
lesbian artist did not forget the serpent, which in her painting became a transgender
serpent. In this point, I agree with the lesbian artist. The author of homosexuality,
lesbianism, transgenderism and all other sexual sins and dysfunctions is the
old serpent, which is in no way offended to be portrayed as a transgender, a
homosexual and lesbian serpent.
“Paradise”
was put at the altar at St. Paul’s Church in Malmö, Sweden. According to the
church, the goal is to create “greater inclusion and identification in the
Church.”
“It
is with pride and joy that we receive Paradise in St Paul’s Church. We need
images that open up for greater inclusion and identification in the church,”
St. Paul’s said in a statement. “We are grateful to Elisabeth’s artistry, which
enables us to build a credible church that shows that we all, regardless of who
we love and identify as, are accommodated in Paradise.”
Helena
Myrstener, the Lutheran minister at the church, took to social media to praise
the demonic work.
“Sweden’s
only LGBT altarpiece (Elisabeth Ohlsson Wallin) is received by St Paul’s church
in Malmö… We are so happy and proud!” she wrote.
The
homosexual “artwork” will remain in the altar of the St Paul’s Lutheran Church.
If the goal is to create greater demonic inclusion and identification in the Lutheran
Church, the possessed lesbian artist and her accomplice Lutheran female
minister were successful.
The St Paul’s Lutheran Church forgot
the words of St. Paul, inspired by the Holy Spirit:
“Do you not know that the unrighteous
will not inherit the kingdom of God? Do not be deceived: neither the sexually
immoral, nor idolaters, nor adulterers, nor men who practice homosexuality, nor
thieves, nor the greedy, nor drunkards, nor revilers, nor swindlers will
inherit the kingdom of God.” (1 Corinthians 6:9-10 ESV)
You
can understand when worldly people put a profane picture of Paradise at the
altar of a satanic ritual or on the TV screens. They lack God. But it is vastly
worse when a profane picture of Paradise is put at the altar of an evangelical
church.
For
decades, charismatic Lutherans, who believe
and welcome the empowering of the Holy Spirit,
including prophecies and other supernatural gifts, have been warning
traditional Lutherans that they should reject the cessationist
heresy, which has made the Lutheran church
vulnerable to satanic invasions, including pro-sodomy and pro-abortion demons.
It is time for Swedish Lutherans at last to heed charismatic Lutherans and
their message.
The
most prominent divine healing preacher in the 1800s was Rev. Johann Christof Blumhardt, a
Lutheran minister who expelled demons just as Jesus’
apostles did. But what the Lutheran Church of Sweden is doing, by putting a homosexual
painting at its altar, is inviting demons.
The
Lutheran Church of Sweden needs to open itself to the same God Blumhardt
served, not to homosexual demons. The role of the church is to deliver people
from demons, not to bring demons and their influence to people.
Swedish
Lutherans should not joke about it. Many Islamic Africans invading Sweden
are bringing a kind of powerful witchcraft that no cessationist theology, no
Lutheran rituals can expel. Only the name of Jesus, spoken by people empowered by His presence,
can expel such demons.
The
serpent desecrated the original Paradise, convincing Eva that she could become
like God. Now, the serpent wants to convince people that man can become like
woman and woman can become like man.
Now,
inspired by the same serpent, a female minister in a Lutheran church wants to
convince Christians that Adam can have an Islamic homosexual partner and Eve
can have an Islamic lesbian partner.
The
Lutheran Church in Sweden has strengthened female leadership and weakened male
leadership. The result, in a Sweden where 63 percent of its population is
Lutheran, is that there is no male strength to protect women and girls against
Islamic foreigners and their wave of rapes. And whenever female leadership is
strengthened and male leadership is weakened, homosexuality is strengthened and
demonic influence and possession are strengthened to the detriment of the most
vulnerable humans: Children.
Portuguese version of this article: Pintura
de artista lésbica de homossexuais islâmicos como parceiros de Adão e Eva no Paraíso
é colocada no altar da Igreja Luterana da Suécia
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